神谷直木





叙事像一场“里维特式间谍游戏”,用抽象动作操演的魔法,嘲弄传统“大片”的规整气质。拒绝线性逻辑,将无意义的情节叠加,又猝不及防转向新可能,甚至滑入难以预见的悲伤。正是这种“失控”,让诗意悄然生长。
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Four characters are looking for a man called Castro, but we don`t know why. For some mysterious reason, Castro is running. He has left his life behind, and survives by hiding in a room in a small city. He is basically alone, but someone has appeared in his life, Celia. She is young, beautiful, and sometimes cruel.
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